In 2008, Arctic Monkeys front man Alex Turner joined forces with musician Miles Kane for the side project known as the Last Shadow Puppets, which infused the indie rock style of Arctic Monkeys with some lavish orchestral arrangements and spaghetti western influences. They have now returned almost a decade later following Arctic Monkey's highly successful AM and hiatus announcement. The record is called Everything You've Come to Expect, but I would argue it's anything but.
That's not to say the album's terrible. There are witty lines (it has songs by Alex Turner after all), and the abundance of sexual theme s and relationship talk that every one else seems to be harping on doesn't really bother me, but the general mid paced nature of this album can get a little stale. Maybe this is due to the lack of Matt Helders on drums here (though he does contribute background vocals, so they should have had him behind the kit). I feel like a huge Helders fan boy, since I just brought him up with Iggy Pop, but his drumming on the first few Arctic Monkeys albums really gave their songs drive. Now that they're kind of in their club/ hip hop influenced material, he doesn't have as much of a license to let loose, but his drumming still has power and momentum that's severely lacking here. While we're on the subject of drums, what is with the drums on 'Bad Habits'? The bass drum groove is good, but the drums (which sound sequenced) could have come off some '80s pop. Why?
All in all, this album was a little disappointing to me. It was very samey, with mid paced ballads dominating, and the tracks that had any uptempo moments weren't particularly notable. I really hope Turner got the mediocre ballads out of his system, because I need some fast paced,quick witted rock from the Arctic Monkeys on their next go around.
Out of a total of five stars, I give this:
Check back in later, because as soon as I get the EP in the mail, I'll be taking a look at Blind Spot by Lush. I'll also be sharing the fruits of my outing for Record Store Day 2016.
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